Paper Clothes of the 1960s: Fad, Failure, or Fabulous?

It is officially spring! Most people are starting to slowly break out their spring/summer clothes and enjoy the warmer weather. Some of you may be headed off to a warm, sunny place for Spring Break, or even just enjoying a few vacation days from work. If you plan on packing light while traveling, maybe you should grab some paper clothes… if you can find any!

During the 1960s, paper clothing actually was a trend in the United States. The 1950s proved to be a more conservative time for fashion, but that began to change during the mid-1960s when the two-piece bikini arrived on the scene (Dust Factory, 2016). Fashion editor Diana Vreeland said that bikinis “reveal everything about a girl except her mother’s maiden name.” Diana Vreeland was not the only person to have an opinion regarding bikini swimsuits; many people during this time viewed bikinis as indecent and the swimwear was even prohibited at some American public parks and beaches (Webber-Hanchett,

Despite the controversy surround bikinis, they became more popular among young women, and a new fad arose: paper bikinis. Typically during the 1960s, swimsuits were made of nylon or Lycra or a combination of the two (Dust Factory, 2016) You may ask yourself, “Why would anyone want to wear a paper bikini?” Well, paper bikinis and dresses were part of  a “throwaway fashion” fad in the 1960s (Lyons, 2015). During this paper clothing fad, hotel chains would  keep paper resort clothes on stock for purchase, and then the consumer could throw it away once the vacation was over (Buck, 2017). The paper clothing trend went as far as paper wedding dresses (Buck, 2017).


The paper fashion trends did not start in the fashion industry by avant garde fashion designers, but rather, in Wisconsin in 1966 at the Scott Paper Company (Wisconsin Historical Society, 2008). Yes, the company that makes napkins started the trend of making paper clothing. Scott Paper Company wanted to use the paper dresses as a marketing and publicity tool (Glamoursurf, 2008). Scott Paper Company wanted to promote their Dura Weve material paper napkins by creating shift dresses made of same material (Wisconsin Historical Society, 2008). When consumers purchased a dress (at a whopping $1.25), they received coupons for Scott brand products like toilet paper, napkins, and so on (Wisconsin Historical Society, 2008).

paper_dress, scott company(1)

Scott Paper Company paper dress advertisement in Life Magazine (1966). Source:

Six months in, Scott ended the advertising campaign because they “didn’t want to turn into dress manufacturers” while other companies chose to keep the paper fashion trend going (Wisconsin Historical Society, 2008). Fashion designers and companies such as Campbells, Mars Manufacturing Company, Ossie Clarke, and Celia Birkwell all played a role in keeping the paper clothes fad alive (Wisconsin Historical Society, 2008; Lyons, 2015; GlamourSplash, 2008).


Paper Dress by Mars Manufacturing Company, circa 1965. Source: Textiles and Clothing Museum collection, Iowa State University

As quickly as the paper fashion fad rose to popularity, it faded out just as quickly. Towards the 1970s, there was a shift from the “mod” style of the 1960s to a more environmentalist and sustainable movement where people opted for a more earthy style (Buck, 2017). Disposable clothing was officially out of style (Buck, 2017). Although paper swimwear and dresses were a short-lived trend in American fashion, traces of the paper fad can still be seen today. Some believe that paper fashion of the 1960s was also a precursor to “fast-fashion” consumerism today where many of us purchase clothing, wear it once or twice, and then toss it out (Buck, 2017). Contemporary designers such as Helmut Lang, Hussein Chalayan, and James Rosenquist have all incorporated paper garments in their collections during the 1990s and 2000s (Lyons, 2015). Materials that were once used to create paper clothing in the 1960s are still being used today, in more utilitarian ways, such as disposable diapers, bibs, or even garments for hospital patients (Wisconsin Historical Society, 2008).

By Courtney D. Johnson


Buck, S. (2017). This wild paper clothing trend of the 1960s was the early version of fast-fashion. Retrieved from:

Lyons, K. (2015). Dare to Tear: Paper fashions in the 1960s. Retrieved from:

Retro 1960s Swimwear, Beachwear and Surf Fashion. Retrieved from:

The Disposable Dresses of 1967. (2008) Retrieved from:

Webber-Hanchett, T. Bikini. Retrieved from:

Wisconsin Historical Society. 1960s Paper Dress. Retrieved from:

Would You Believe It’s Paper? (2009). Retrieved from:



Trans + Fashion: Transitioning the Industry

The LGBTQ community has always played a role in the fashion industry. Queer style and culture often influence mainstream fashion (Kaiser, 2012). Despite the LGBTQ community playing an integral part in fashion, individuals in this community face their share of obstacles, particularly individuals who are transgender.

While reading through some of our several donor files, I came across an article on model Teri Toye, who is credited to be the first openly transgender model in the U.S. Toye, an Iowa native, rose to fame during the 1980s by modeling for designers such as Thierry Mugler, Comme des Garcons, and Chanel (Lance, 2011).


Halston ensemble worn by Teri Toye circa 1978. Source: ISU Clothing and Textiles Museum Collection.


Transgender model Teri Toye (standing) featured in a Stephen Sprouse ad. Source:

After reading about the success Teri Toye had during her brief stint in the fashion industry, I became interested in reading more on transgender models and found that transgender models have had many struggles while working in the fashion industry. First, let’s define what transgender is. Transgender is a term that has different cultural meanings (Kaiser, 2012). Transgender is an umbrella term for individuals who are born one gender but identify themselves with the opposite gender (Stryker, 2008; New Hampshire Public Radio, 2015).


Transgender symbol. Source: 

With the fashion industry evolving into a more progressive culture, the question remains, how inclusive is the fashion industry to transgender people? (Blanning, 2015). During the 1980s, androgyny was the look, and many transgender models fit that aesthetic (Iannacci, 2011). In an interview with Fader Magazine, transgender model Tschan Andrews spoke candidly about the struggles many transgender models face in the fashion world today. Andrews spoke about how transgender models during Teri Toye’s time were not looked at as “trans people” but rather just beautiful models (Blanning, 2015). Within the past few years, trans models have become highly publicized, which to Andrews, is odd because most trans people do not want to high-fashion models but rather “just assimilate and feel normal” (Blanning, 2015). In the media, transgender people or the act of cross-dressing are often sensationalized or used as a joke (Kaiser, 2012; Tsai, 2010).


Transgender actress Laverne Cox featured on the cover of Time. Source:

Tschan Andrews also goes on to say that not only is there racial discrimination in the modeling world but some modeling agencies refuse to hire trans models (Blanning, 2015). Being transgender in the fashion industry unfortunately can have major repercussions. For example, trans model Peche Di was cut out of a campaign after the client found out that she was transgender (Sayej, 2017). Following these sorts of incidents, Di founded a modeling agency Trans Models New York in 2015 (Sayej, 2017). According to trans model Leyna Bloom, the fashion industry serves as a place that is safe for trans models while also being a place that transgender models have to work twice as hard (Peoples, 2018).

trans models

Trans models Teddy Quinlivan, Leyna Bloom, Casil Mcarthur, and Geena Rocero. Source:

But the trans community is definitely making a name for themselves in the fashion industry by being outspoken and diverse (Peoples, 2018). More trans modeling agencies are opening to create a safe space for trans models. Transgender models have the power to not only sell clothes but to challenge the status quo on body image and gendered appearance (Atkins, 1998; Peoples, 2018).

For more information on the LGBTQ community, be sure to check out the exhibit Queer Fashion and Style: Stories from the Heartland, open through April 14th at the Iowa State University Textiles and Clothing Museum!

By Courtney D. Johnson



Atkins, D. (1998). Looking queer: body image and identity in lesbian, bisexual, gay, and transgender communities. The Hawthorn Press: New York.

Blanning, L. (2015). What it’s really like being a transgender model when trans is trending. Retrieved from:

Iannacci, E. (2011). The new transsexual chic: trans are front and centre in the fashion world these days. But for how long? Biography in Context.

Lance, G. (2011). Teri Toye. Retrieved from:

New Hampshire Public Radio, The Exchange (2017). Transgender: exploring gender identity. Retrieved from:

Peoples, L. (2018). For the modeling industry, the future is transgender. Retrieved from:

Sayej, N. (2017). These trans modeling agencies pave the runway for transgender acceptance. Retrieved from:

Stryker, S. (2008). Transgender history, homonormativity, and disciplinarity. Radical History Review, Vol. 2008 (100), 145-157.

Tsai, W-H. S. (2010). Assimilating the queers: representations of lesbians, gay men, bisexual, and transgender people in mainstream advertising. Advertising & Society Review, Vol. 11 (1).